CONSTRUCTION: SCRIPT YOUR INTERTITLES

I went over the the BBFC (British Board of Film Classification) website, and visited their subsection where I can view Trailers from recent and old movies. Here is where I am using this collection of trailers to analyse their use of Intertitles.

Lord of the Rings

The Trailer for The Hobbit: Battle of the Five Armies uses intertitles to grab the audience's attention by breaking down a sentence with little snippets that each have its own intertitle: 'This Year, from the Director of 'The Lord of the Rings trilogy'/ prepare for the defining moment of the Middle-Earth Legend'. 

However, this is broken up into 5 different parts which are spread throughout the trailer. This means that as the person is viewing the trailer they want to carry on the sentence, and to do so they need to go through the whole trailer. It functions almost like a voice over that is guiding us through. This constant need to know what is being said in the intertitles also means that the viewer watches the whole trailer. 

The imperative 'Prepare for' is quite a bold and demanding statement telling all people viewing the trailer to be ready. Epithets like defining and legend suggest the prestige of the project, all of which is enhanced by the glowing gold lettering.

Delivery Man

In this movie trailer the start is where all of the intertitles are seen. They are presented in an almost slide show format with lots of images of people surrounding the intertitles. It is also presented with a voice over that reads sentences with that say very similar things that are seen on screen. 

This voice over and style we are presented with at the start of the trailer gives context to the unknown for the scenes of the movie that we see after this intertitles section. After we know that these pictures of people have something in common, we see the next part of trailer which shows what they do have in common. Intertitles here are used give context for the movie and the voice over also guides us through this part. 

These intertitles also intrigue the audience because the words unique and common are complete opposite words. This enigma leads to the viewer being tantalised by the hunger of curiosity which leads them to find out what lies behind this enigma. Here the intertitles use of apparently contradictory words unique and common features as a bait that whets our curiosity.

PLANNING: SHOT LIST

This table is the shot list in which we planned how our trailer was going to be shot and what each shot and scene contained.

SCENE	SOUND/VOICEOVER	VISION	ACTORS	PROPS	NOTES
News Reporting	Soundtrack Diegetic sound	Newsroom backdrop with visual test rocket launch, via green screen Mid shot	2 different news reporters, one male, one female	None	Stationary camerawork, this is a mid-shot
Tree scene	Soundtrack and diegetic sound	Leaves blowing in the wind Close up of leaves	N/A	None	Close up shot, stationary
Flashback scene	Voiceover Soundtrack	Slow-mo effect Black and white filter Low angle tracking shot Followed by a low angle shot Followed by a tracking mid shot	All three brothers seen in past life	Rugby ball Football Table tennis table, bat and ball	Low angle, slow tracking shots Followed by a low angle shot Followed by a slow tracking mid-shot
Public Emergency Announcement	Voiceover Soundtrack	Public Emergency Announcement with informative text moving downwards	N/A	None	None
Plane scene	Plane audio Diegetic sound	Stationary mid-shot Plane interior backdrop via green screen	Father of three brothers	Mobile phone	Stationary mid-shot Green-screen
Packing bags	Diegetic sound Soundtrack	Slow, low-angle tracking shot Blurred filter	2 brothers seen packing bags	Two rucksacks Cans of tinned food Radio Two bottles of water	Slow, low angle tracking shot, cut out when actors walk past the camera
Running scene	Soundtrack Diegetic sound	Handheld camerawork, two-shot Slow-mo effect	3 brothers seen running	2 rucksacks	Handheld camerawork, two-shot
Hospital scene	Diegetic sound Soundtrack	Slow, mid shot tracking shot	Mother of three brothers	Mobile phone	Tracking, mid-shot
Shelter scene	Diegetic sound Soundtrack	Stationary shot, 3-shot, actors move towards the camera,	3 brothers	None	Stationary, 3-shot

PLANNING: STORYBOARD

This is what we did when we were planning the different shots and scenes that we wanted to put into our trailer, these scenes are put in chronological order in which they will be presented within our trailer.