PLANNING: TREATMENT

Title Names:
¬The Countdown
¬The Launch
¬Imminent Threat
¬Shockwave
¬National Threat
¬The Final Hour


Basis of Treatment:
The year is 2027 and Daniel, Timothy and Benjamin are students living within the centre of London. They are their school when they are told they need to go home. In recent years there has been a lot of tension between the UK and North Korea, due to the UKs Nuclear programme of Trident picking up North Korean submarines near the shore of the UK. The UK defence system has detected North Korean missiles. It has been broadcast around the UK through a PSA that there is only a certain amount of time before one hits London, Manchester, Edinburgh, Belfast and Cardiff. The country has descended into chaos; there is economic ruin. The teenagers are able to get into their friends garage as the nearest public bunker is too far away, they manage to get to the garage in the house in time only a few minutes before the missiles arrive in the specific locations. The bomb hits; two weeks later one of the boys opens the door to the bunker… the trailer ends on a cliff hanger. 

Top Line: Three foster children escape nuclear war just in time, but when they emerge they don't know what they will find.

Big Question: Will they be able to survive the horrors that they will find beyond their bunker that they have been in for the past 2 weeks? Have other people survived or are we the last ones.



Additional ideas, in order:

Scene: boys at home, watching TV, PSA comes on
News Broadcast: Max Tegmark presenting his new book Life 3.0 to TV journalist
MT in answer to journalist: "we are facing Life 3.0, a form of silicon mind that is like ours in its creativity for insight, but totally alien in its thought processes.
I (interviewer): SO, the next frontier for AI is mastering the human language, using algorithm?
MT: this has already happened
Cut to fake obama clip
MT to camera: North Korea is our threat, it has already carried out cyber attacks. It will be missiles next.

Scene: Boys at home, watching TV, PSA comes on
PSA reads: This is your final public service announcement, please make your way to your personal, or public nuclear shelters, or a building with structural integrity. This is not a drill. Missiles have been detected and their trajectories have been set towards all major cities. Make your way to your personal or public nuclear shelters or a buildings with structural integrity.
Scene 2: Rection shot, realise everyone else in foster home has left due to earlier announcement, and foster home staff didn't check the room that the boys were in.
Scene 3: Boys running towards their shelter, slow motion shot of them running, realisation that it is locked and have to take refuge in the garage where they say their final words. They get knocked out by the blast but survive.
Scene 4: 2 weeks later they wake up and open the garage door for there to be a bright light, end

RESEARCH: WORLD WAR Z TRAILER ANALYSIS

The Trailer is here

Feature	Comments
Genre	Apocalypse/Horror
Narrative	A father finds himself in a situation where he needs to find a cure for a widespread zombie virus outbreak.
Unique Selling Point	Brad Pitt is a famous actor hasn’t done a movie like this before. There are a lot of different settings in this movie as they travel around the world to figure out the cure.
Target Audience	15-35
Music	The soundtrack is quite heavy but electrical, there are no noticeable instruments in the trailer as we can only hear computerised sounds. There are heavy beats at some points which represent heart beats.
Shot Types/Camera Angles	Canted angle, high angle, tilt pan, close up, low angle, establishing shot.
Pace	Slow start where the family are in the car, escalates quickly when there is a rubbish truck ploughing through cars and an explosion in the distance.
Dialogue	There is a lot of shouting in the trailer to show the distress and suspenseful situations. The starting dialogue is to show the relationship between the family, and how they spend time as a family in the car.
Voiceover	No voiceover
Special Effects	The explosions would be special effects as well as some scenes with the zombies, one of the scenes where they used CGI is when the zombies are climbing up the wall and on top of each other.
Credits and intertitles	No intertitles

RESEARCH: MOTHER! TRAILER ANALYSIS

You can Find the trailer Here

Feature	Comments
Genre	Horror/Thriller
Narrative	The protagonist (Jennifer Lawrence) living with her husband is experiencing strange visits from strangers and watches as they increase in number, as they do increase, more weird things happen around the house.
Unique Selling Point	The cast, the plot is unclear to see what happens in the trailer, this interests the audiences and makes them go and view the film in cinema.
Target Audience	15-30 years
Music	Percussive instruments, string instruments (violins) being played violently
Shot Types/Camera Angles	High angle shot, canted angle, tracking shot, low angle shot, close up, extreme close up
Pace	The start sets the scene so it is slow until the first stranger arrives, and then the pace picks up alongside the music until strange things start to happen around the house.
Dialogue	Not much dialogue, however the starting dialogue is both of the main characters saying things like: ‘I love you’. Then when it gets more intense, people start getting angry at each other and especially the protagonist who is screaming by the end of the trailer.
Voiceover	There is voiceover in the sense that the dialogue has bridged over from another clip in the trailer.
Special Effects	There aren’t many special effects, however when the trailer is getting intense, the house almost starts to look like it is burnt without being on fire, we see the house change colour in almost an instant.
Credits and intertitles	Throughout the trailer we see intertitles like: ‘seeing is believing’ where the words are split up between clips. We see credits in the form of actor’s names being flashed up on screen nearing the end of the trailer. The intertitles and credits are cut to the beat, they are also handwritten words which makes it more personal.