SCENE
|
SOUND/VOICEOVER
|
VISION
|
ACTORS
|
PROPS
|
NOTES
|
News Reporting
|
Soundtrack
Diegetic sound
|
Newsroom backdrop with visual test rocket launch, via green screen
Mid shot
|
2 different news reporters, one male, one female
|
None
|
Stationary camerawork, this is a mid-shot
|
Tree scene
|
Soundtrack and diegetic sound
|
Leaves blowing in the wind
Close up of leaves
|
N/A
|
None
|
Close up shot, stationary
|
Flashback scene
|
Voiceover
Soundtrack
|
Slow-mo effect
Black and white filter
Low angle tracking shot
Followed by a low angle shot
Followed by a tracking mid shot
|
All three brothers seen in past life
|
Rugby ball
Football
Table tennis table, bat and ball
|
Low angle, slow tracking shots
Followed by a low angle shot
Followed by a slow tracking mid-shot
|
Public Emergency Announcement
|
Voiceover
Soundtrack
|
Public Emergency Announcement with informative text moving downwards
|
N/A
|
None
|
None
|
Plane scene
|
Plane audio
Diegetic sound
|
Stationary mid-shot
Plane interior backdrop via green screen
|
Father of three brothers
|
Mobile phone
|
Stationary mid-shot
Green-screen
|
Packing bags
|
Diegetic sound
Soundtrack
|
Slow, low-angle tracking shot
Blurred filter
|
2 brothers seen packing bags
|
Two rucksacks
Cans of tinned food
Radio
Two bottles of water
|
Slow, low angle tracking shot, cut out when actors walk past the camera
|
Running scene
|
Soundtrack
Diegetic sound
|
Handheld camerawork, two-shot
Slow-mo effect
|
3 brothers seen running
|
2 rucksacks
|
Handheld camerawork, two-shot
|
Hospital scene
|
Diegetic sound
Soundtrack
|
Slow, mid shot tracking shot
|
Mother of three brothers
|
Mobile phone
|
Tracking, mid-shot
|
Shelter scene
|
Diegetic sound
Soundtrack
|
Stationary shot, 3-shot, actors move towards the camera,
|
3 brothers
|
None
|
Stationary, 3-shot
|
Thursday, 30 November 2017
PLANNING: SHOT LIST
This table is the shot list in which we planned how our trailer was going to be shot and what each shot and scene contained.
Wednesday, 29 November 2017
PLANNING: STORYBOARD
This is what we did when we were planning the different shots and scenes that we wanted to put into our trailer, these scenes are put in chronological order in which they will be presented within our trailer.
Thursday, 5 October 2017
RESEARCH: AUDIENCE PROFILE
Today I started making outline notes about what my target audience for our trailer was like:
Age group: 15-35+, young adults
Gender: both men and women
They are likely to watch TV programmes such as Breaking Bad, Game of Thrones and Orange is the new Black.
They are likely to see at the cinema: Deadpool, Hunger Games, Kingsman: The secret service, The Accountant, Fast and Furious 8, etc
In their leisure time, they will visit YouTube, play video games, download movies, drink Costa coffee / Starbucks; eat at Pizza Express, MacDonald's, Subway or KFC
Clothes: H & M, River Island, Fat Face, Top Shop, Supreme, Superdry, Next, ASOS, Adidas, Nike, etc
Media: iPhone or Samsung for Internet on the move; Mac Book or iPad to see movies, play games, browse and shop; FaceBook for connecting to friends. Instagram for sharing photographs. Snapchat for quick messaging and talking with friends.
Thursday, 21 September 2017
PLANNING: TREATMENT
Title Names:
¬The Countdown
¬The Launch
¬Imminent Threat
¬Shockwave
¬National Threat
¬The Final Hour
Basis of Treatment:
The year is 2027 and Daniel, Timothy and Benjamin are students living within the centre of London. They are their school when they are told they need to go home. In recent years there has been a lot of tension between the UK and North Korea, due to the UKs Nuclear programme of Trident picking up North Korean submarines near the shore of the UK. The UK defence system has detected North Korean missiles. It has been broadcast around the UK through a PSA that there is only a certain amount of time before one hits London, Manchester, Edinburgh, Belfast and Cardiff. The country has descended into chaos; there is economic ruin. The teenagers are able to get into their friends garage as the nearest public bunker is too far away, they manage to get to the garage in the house in time only a few minutes before the missiles arrive in the specific locations. The bomb hits; two weeks later one of the boys opens the door to the bunker… the trailer ends on a cliff hanger.
Top Line: Three foster children escape nuclear war just in time, but when they emerge they don't know what they will find.
Big Question: Will they be able to survive the horrors that they will find beyond their bunker that they have been in for the past 2 weeks? Have other people survived or are we the last ones.
Additional ideas, in order:
Scene: boys at home, watching TV, PSA comes on
News Broadcast: Max Tegmark presenting his new book Life 3.0 to TV journalist
MT in answer to journalist: "we are facing Life 3.0, a form of silicon mind that is like ours in its creativity for insight, but totally alien in its thought processes.
I (interviewer): SO, the next frontier for AI is mastering the human language, using algorithm?
MT: this has already happened
Cut to fake obama clip
MT to camera: North Korea is our threat, it has already carried out cyber attacks. It will be missiles next.
Scene: Boys at home, watching TV, PSA comes on
PSA reads: This is your final public service announcement, please make your way to your personal, or public nuclear shelters, or a building with structural integrity. This is not a drill. Missiles have been detected and their trajectories have been set towards all major cities. Make your way to your personal or public nuclear shelters or a buildings with structural integrity.
Scene 2: Rection shot, realise everyone else in foster home has left due to earlier announcement, and foster home staff didn't check the room that the boys were in.
Scene 3: Boys running towards their shelter, slow motion shot of them running, realisation that it is locked and have to take refuge in the garage where they say their final words. They get knocked out by the blast but survive.
Scene 4: 2 weeks later they wake up and open the garage door for there to be a bright light, end
¬The Countdown
¬The Launch
¬Imminent Threat
¬Shockwave
¬National Threat
¬The Final Hour
Basis of Treatment:
The year is 2027 and Daniel, Timothy and Benjamin are students living within the centre of London. They are their school when they are told they need to go home. In recent years there has been a lot of tension between the UK and North Korea, due to the UKs Nuclear programme of Trident picking up North Korean submarines near the shore of the UK. The UK defence system has detected North Korean missiles. It has been broadcast around the UK through a PSA that there is only a certain amount of time before one hits London, Manchester, Edinburgh, Belfast and Cardiff. The country has descended into chaos; there is economic ruin. The teenagers are able to get into their friends garage as the nearest public bunker is too far away, they manage to get to the garage in the house in time only a few minutes before the missiles arrive in the specific locations. The bomb hits; two weeks later one of the boys opens the door to the bunker… the trailer ends on a cliff hanger.
Top Line: Three foster children escape nuclear war just in time, but when they emerge they don't know what they will find.
Big Question: Will they be able to survive the horrors that they will find beyond their bunker that they have been in for the past 2 weeks? Have other people survived or are we the last ones.
Additional ideas, in order:
Scene: boys at home, watching TV, PSA comes on
News Broadcast: Max Tegmark presenting his new book Life 3.0 to TV journalist
MT in answer to journalist: "we are facing Life 3.0, a form of silicon mind that is like ours in its creativity for insight, but totally alien in its thought processes.
I (interviewer): SO, the next frontier for AI is mastering the human language, using algorithm?
MT: this has already happened
Cut to fake obama clip
MT to camera: North Korea is our threat, it has already carried out cyber attacks. It will be missiles next.
Scene: Boys at home, watching TV, PSA comes on
PSA reads: This is your final public service announcement, please make your way to your personal, or public nuclear shelters, or a building with structural integrity. This is not a drill. Missiles have been detected and their trajectories have been set towards all major cities. Make your way to your personal or public nuclear shelters or a buildings with structural integrity.
Scene 2: Rection shot, realise everyone else in foster home has left due to earlier announcement, and foster home staff didn't check the room that the boys were in.
Scene 3: Boys running towards their shelter, slow motion shot of them running, realisation that it is locked and have to take refuge in the garage where they say their final words. They get knocked out by the blast but survive.
Scene 4: 2 weeks later they wake up and open the garage door for there to be a bright light, end
Thursday, 14 September 2017
RESEARCH: WORLD WAR Z TRAILER ANALYSIS
![]() |
| The Trailer is here |
Feature
|
Comments
|
Genre
|
Apocalypse/Horror
|
Narrative
|
A father finds himself in a situation where he needs to find a cure
for a widespread zombie virus outbreak.
|
Unique Selling Point
|
Brad Pitt is a famous actor hasn’t done a movie like this before.
There are a lot of different settings in this movie as they travel around the
world to figure out the cure.
|
Target Audience
|
15-35
|
Music
|
The soundtrack is quite heavy but electrical, there are no noticeable
instruments in the trailer as we can only hear computerised sounds. There are
heavy beats at some points which represent heart beats.
|
Shot Types/Camera Angles
|
Canted angle, high angle, tilt pan, close up, low angle, establishing
shot.
|
Pace
|
Slow start where the family are in the car, escalates quickly when
there is a rubbish truck ploughing through cars and an explosion in the
distance.
|
Dialogue
|
There is a lot of shouting in the trailer to show the distress and suspenseful
situations. The starting dialogue is to show the relationship between the
family, and how they spend time as a family in the car.
|
Voiceover
|
No voiceover
|
Special Effects
|
The explosions would be special effects as well as some scenes with
the zombies, one of the scenes where they used CGI is when the zombies are
climbing up the wall and on top of each other.
|
Credits and intertitles
|
No intertitles
|
Wednesday, 13 September 2017
RESEARCH: MOTHER! TRAILER ANALYSIS
| You can Find the trailer Here |
Feature
|
Comments
|
Genre
|
Horror/Thriller
|
Narrative
|
The protagonist (Jennifer Lawrence) living with her husband is experiencing
strange visits from strangers and watches as they increase in number, as they
do increase, more weird things happen around the house.
|
Unique Selling Point
|
The cast, the plot is unclear to see what happens in the trailer,
this interests the audiences and makes them go and view the film in cinema.
|
Target Audience
|
15-30 years
|
Music
|
Percussive instruments, string instruments (violins) being played
violently
|
Shot Types/Camera Angles
|
High angle shot, canted angle, tracking shot, low angle shot, close
up, extreme close up
|
Pace
|
The start sets the scene so it is slow until the first stranger
arrives, and then the pace picks up alongside the music until strange things
start to happen around the house.
|
Dialogue
|
Not much dialogue, however the starting dialogue is both of the main
characters saying things like: ‘I love you’. Then when it gets more intense,
people start getting angry at each other and especially the protagonist who
is screaming by the end of the trailer.
|
Voiceover
|
There is voiceover in the sense that the dialogue has bridged over
from another clip in the trailer.
|
Special Effects
|
There aren’t many special effects, however when the trailer is
getting intense, the house almost starts to look like it is burnt without being
on fire, we see the house change colour in almost an instant.
|
Credits and intertitles
|
Throughout the trailer we see intertitles like: ‘seeing is believing’
where the words are split up between clips. We see credits in the form of actor’s
names being flashed up on screen nearing the end of the trailer. The intertitles and credits are cut to the beat, they are also handwritten words which makes it more personal.
|
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